
Demo time
Originally uploaded by schickr.
00:00 25 November, 2007 Image 1015

What is she feeling different about
Originally uploaded by schickr.
Gosh. The shaver is so phallic.
Got a note from David Berube about his new MoFuse. He’s based in Rhode Island, of all places, not known to be a hot-bed of mobile dev work. That it’s Northeast, and New england to boot, is good enough for me.
A quick scan of the marketing page suggests something quite cool. And his comment below suggests a pent up demand for both creating sites and using them (it’s a theme that’s been at the front of my mind this past few weeks).
I’ll give it a look see over the weekend. I am sure another David I know will give it a good detailed look and review.
Link: David Berube Blog:
MoFuse has been open to the public for 20 days now. We’re currently serving up more than 60,000 mobile pageviews a week and we’re on our way towards 3,000 registered users.
Heh, MoFuse stands for Mobile Fusion. Isn’t that my line: ‘The fusion of Mobile and Web’?
So far, Ty Burr has never disappointed me. What he likes, I do. What he doesn’t, same here.
Now he mentions the latest Blade Runner release (see link below). He likes it, so I’m gonna check it out.
Blade Runner is one of my all time favourites. Interestingly, in the past month, I’ve ‘discovered’ Philip K Dick, after having watch so many films based on his stories – Blade Runner, Total Recall, Sunshine of the Spotless Mind, Minority Report, Next, and Through a Scanner Darkly.
After watching Next, I vowed to find any any any Dick book and picked up a collection from a used bookstore in Melbourne.
Now, I so love Philip K Dick. Why did it take me so long to _read_ his amazing work. He’s got an edge, the heros invariably lose when they win, it’s not la-di-da clever sci-fi, but real people in real dilemmas with tech to add a twist that propels the story.
He makes Herbert and Asimov and Heinlein look like pansies (heh, how many movies do those guys have?*).
Link: ‘Blade Runner’ is better than ever – The Boston Globe:
Still, it’s nice to see Ford looking so young again and LA so old; the clockwork-toy sequences shot in the city’s Bradbury Building, with Daryl Hannah’s Pris cartwheeling through the wreckage like a homicidal wind-up doll; Rutger Hauer’s gleaming, tragic Roy Batty, an automaton so much better than the humans he serves – these are all welcome attendees at a 25th reunion. “Blade Runner” has become a chilly eulogy for a future that hasn’t quite happened.
*I mention these three because the forward in my book mentions how few these guys made (3 among them).